Rather, it's the story of 'a human being who has lost his way' and now has a second chance at a different life. Howard insists Hustle is not about a pimp. The premise of a pimp trying to become a rap star could easily fall victim to rash of tasteless stereotypes and frustrating humor, but Howard's performance and the film's progression maintains a realism and freshness that sustains the movie. The story unfolds as bass-heavy, crunked-out music reveals the vulnerabilities and savvy of a motley group of dreamers. With the help of his choir-directing crony Key (Anthony Anderson) and his amped-up assistant Shelby (DJ Qualls) DJay cobbles together a makeshift home studio and manages to drop an intense collection of tracks that chronicle his swagger, style and struggles as a street pimp. But crippled by sparse finances and even less knowledge of the recording process, DJay taps into the latent talents and skills of his women and friends who all assume vital roles in realizing a collective dream. rap artist Ludacris), DJay lunges for a chance at stardom by recording a hip hop demo. Motivated by a chance opportunity to meet a rising rap star (played by Chris Bridges, a.k.a. Wearing a stinging yet syrupy southern drawl, Howard portrays DJay, a struggling Memphis hustler.

crime drama Crash, Howard's ready to take over with this summer's Hustle & Flow. With a busy 2005 season that has included a role in the acclaimed L.A. But, hypnotic gaze aside, Howard is finally getting mainstream recognition after electric performances in such films as 2000's The Best Man and last year's Ray. It's the same eyes, mischievous smile and passionate fervor with which he's captivated audiences in a range of roles from pick-up artist to band geek. The kind of eyes that make female interviewers fumble around aimlessly for interesting and provocative questions only to receive Howard's curious glances.

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